Artistic Vision

Art Education. Straight Up.

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Why Obama will win the election (though he shouldn’t)

I’ve been reflecting more earnestly these past two weeks as students have been talking more openly about their reasons for voting for Obama. Obviously, I’ve been listening for quite some time now, but the past two weeks—the last few days in particular—have been particularly poignantly. Frankly, I’ve listened (and read) Obama’s words and been intrigued as to what is so new and hopeful about him personally and his message professionally.

If you do a cursory examination of ads and political paraphernalia from the recent past, you’ll notice that during the recent past principles such as “hope” and “change” are dominant. This has caused me to ponder why this particular candidate has infused such words with so much more meaning as to win the election with so little experience and such damaging rhetoric.

It’s the conversations I’ve listened in on and participated in that has given me my answer and that answer rests in pure emotionalism. I know that sounds simplistic but the complicated answers about the sensibility of his political stances don’t make sense. No, I ground my argument not in politics because, frankly, the average American doesn’t care much for politics. I think it’s also clear just from the complexity that we’ve allowed our political systems to become mired under. After all, who has time to research all that the candidates truly stand for? Even the sites which purport to be nonpartisan fact-checking sites are proving to be less than genuine.

Rather, my argument is founded in pop cultures’ fascination with the image and the new. When my students go off about Obama, the point is clear that they’re not interested in answers as to why I can’t vote for him. Rather, they are more keen on emotionalism and vitriol. Once again, this spirit isn’t new with this election. Our election process has become all about promises that neither candidate can deliver on.

And, it’s the emotionalism of today that has people flocking to Obama instead of reflecting on the potential damages his policies will be for generations to come.

It’s late. I’ll post more tomorrow.

NCLB, the SATs and hypocrisy

Is it just me or is it really just hypocritical that people get bent out of shape over NCLB (No Child Left Behind) whereas the SAT has been around for (seemingly) forever? Ok, NCLB is about federal funds but the principle remains the same, right?

It all comes down to a single test being the defining piece of information about your ability to perform well in college (and, to some, life).

Yes, ignore them, but …

I’ve received a few responses to my last post concerning my students’ complaints during class (Intro to Painting, in particular). I was going to respond to them individually but I’ve decided it would be better to clarify my thoughts in a formal post.

The comments I’ve received can be summarized by Daniel over at kungfu komix

“Ignore them. Students are always that way.”

I’m sympathetic to this sentiment. On some level I think any art teacher who deals with urban kids or kids taking introductory courses needs to be aware of this (seemingly) pervasive dismissive attitude.

I should have clarified myself in the original post that my distress is also (and perhaps more so) related to the incessant talking that occurs while I’m trying to teach. When I try to address it, the students don’t get it. Sadly, their insensitivity is what most distresses (and, frankly, scares) me.

It drains me because waiting for them to get quiet—which is what I was instructed to do by an administrator— causes my projects to take forever to get done or move forward. And, the fact that the lesson gets drawn out causes MORE complaining from my students. (Yes, they’re clueless to the fact that THEY are the root cause of the delay.)

The students’ insensitivity scares me because it reinforces to me how shortsighted they are to how their own behavior is negatively affecting their education. I’ve tried to clue them in to the fact that, unless they go into a science, medical or engineering field they would use most of the higher math they are learning. BUT, the skills I’m teaching them could be a hobby they enjoy until the day they die. Well, maybe the day BEFORE they die. LOL!

Hopefully, this fills in the gaps on my frustration regarding my students lack of motivation. Additional thoughts anyone?

Beyond motivation

This week was particularly troubling for me. Emotionally, I was drained by my students’ constant complaints:

  • This is too hard
  • This is meaningless
  • This is so dumb
  • I’m never going to use this
  • Blah, blah, blah.

Albeit none of these complaints is new or surprised me. I’ll be reflecting this weekend on my personal responses as I do my lesson planning.

My painting class, in particular, has been quite distressing. They don’t understand why we’re learning drawing basics. My attempts at explaining it fell on deaf ears.

What do you do with students who position themselves beyond motivation?

I met with my media specialist yesterday. I wanted to discuss with her the possibility of taking 3-4 students out of my painting class and giving them writing assignments. One of the kids has been asking for this from the beginning of the year because he hates art. (He failed art last year.) We came up with a couple of ideas. We’re going to meet again next week.

Multitasking: You can’t pay full attention to both sights and sounds

One of the issues I face in my classroom as an art teacher is when my kids tell me that talking to their friends while working is okay for them, actually critical. A 2005 Johns Hopkins’ study, which specifically addressed cell phone use while driving, would also seem to speak to my classroom situation.

Professor Steven Yantis states,

“Directing attention to listening effectively ‘turns down the volume’ on input to the visual parts of the brain. The evidence we have right now strongly suggests that attention is strictly limited — a zero-sum game. When attention is deployed to one modality — say, in this case, talking on a cell phone — it necessarily extracts a cost on another modality — in this case, the visual task of driving.”

Again, the implications from this would seem to indicate that concentration in any one modality is compromised when another is introduced. So, I guess this would also give me an answer when my students say listening to their iPods helps them concentrate while they work on my projects. LOL!

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