Artistic Vision
It’s a right-brain kinda thing.Archive for Books
School year looms and I need some inspiration
Summer is sadly approaching its end. Yes, I know, it nearly brings a tear to my eye as well. After having lunch with a few friends from where I worked two companies ago, I stopped in to Barnes & Noble to look at their art book section as I was needing some inspiration and direction for a couple of new classes I am starting in the Fall.
The B&N in King of Prussia had a pretty good selection. Well, for me it did. I was looking for books specifically about pastels and oil/watercolor/acrylic painting. It shouldn’t have been too hard but I was surprised the amount of material that simply missed the mark.
I’ll give you a simple rundown of the order I placed through Amazon. I’ve already received two of my selections (woo-hoo!) and am looking forward to the others coming ahead of schedule as well. Here’s the list:
- Pastel School (Learn as You Go)
- Painting with Pastels: Easy Techniques to Master the Medium
- Landscape Painting Inside and Out: Capture the Vitality of Outdoor Painting in Your Studio With Oils
- Oil Painter’s Solution Book Landscapes: XX Answers to Your Oil Painting Questions
- How to Paint Like the Impressionists: A Practical Guide to Re-Creating Your Own Impressionist Paintings
- Layer by Layer Acrylic Painting
Yes, I know there aren’t any watercolor-technique books in the list and only one acrylic book. I’ve got some watercolor resources available at my house. I just need time to go through them and think out how to incorporate the info. Of course, what to include is also helpful. I’ve got that to figure out too. Though time is short, it’ll come together.
Well, I’m off to bed. Good night!
More Drawing on the Right Side of the Brain in class
Most of my Studio students have all but finished with the third assignment from Betty Edwards‘ video Drawing on the Right Side of the Brain.
In this exercise, the students use a plastic viewfinder to map out a foreshortened view of their hand using a vis-a-vis markers. They take their modified viewfinder and then translate that pen drawing into a pencil drawing using an identical four-quadrant grid to render their hand realistically using simple shading.
It’s an exercise on perception, learning to see if you will. I’ve been pleased with some of the results, and I think those students have been too—despite their constant complaints! I’ve had to reiterate to the students that they need to stop expecting my class to be easy.
The exercises from the Drawing on the Right Side of the Brain course are difficult but effective in giving participants a solid introduction to the principles of drawing: line, negative space, angles and proportions, shading. Dr. Edwards includes the gestalt or the personality (or “thingness”) of the thing or person drawn. She indicates that the gestalt comes from drawing and isn’t something taught.
It’s a simple application (reformulation?) of the elements and principles of design.
I’ll keep you posted as to the progress as my classes move further through the material. I’m curious, though, has anyone else participated in one of Dr. Edwards’ workshops or walked students through this course?
I’d love to hear about it so please comment fully!
Drawing on the Right Side of the Brain
This past week I started walking my students through Betty Edwards‘ Drawing on the Right Side of the Brain material using the DRSB video. I was excited to try out this course since learning to draw is top of the list for nearly all of my students and had hoped Dr. Edwards’ credentials would have added some credence to the material. Sadly, this hasn’t been the case.
We’ve only just begun, however I’ve been a little disappointed in my students:
- At the top of the list is the fact that the first couple of exercises (vase-faces and upside-down drawing) weren’t taken seriously. Many talked through the exercise instead of being silent and concentrating.
- Their complaints that they couldn’t draw and how hard the exercises were droned on during most of my three Studio classes.
- On top of that, a few spent more time trying to find ways to trace the second project than simply doing it as instructed.
- Although I think they made too much of it, most complained about Dr. Edwards’ voice during the video. I tried to explain that her professorial voice is pretty common in colleges and they should get used to it. Of course, she could have hired someone but perhaps it wouldn’t have made the presentation as credible. Who knows. Either way, most of the students weren’t buying it.
Monday and Tuesday of this week, I had the students create the small viewfinder (there are two sizes). I guess I shouldn’t have been surprised, but I was disappointed when many of my students couldn’t do the measuring using the ruler. I’m hoping tomorrow I’ll be able to get started on the exercises using the viewfinder. I’ll keep you all posted.
Has anyone used the Drawing on the Right Side of the Brain material? What was your student response to it? I’d really like to hear your thoughts. Also, does anyone have any other recommended drawing courses they have successfully used for high school students?
Reading assignments and art education—what’s a teacher to do?
I came home today from one of the most disappointing and frustrating days of my, as of yet, very short educational career. My students were tasked, last week to ready what is the introduction to Art History (2nd ed.) by Marilyn Stokstad. Although 17 pages, it’s packed with large photos and isn’t a huge drain on your intellectual resources. She does an admirable job communicating on a less-than-high-school level for high schoolers.
Sadly, the students complained from day until night about this assignment. First, let me say my kids are used to not being challenged in art class. Left to their own devices they would be happy doing a little craft and talking to their friends all period. They love to tell me how much better the “other” art teachers were that they’ve had at the school and gleefully run through the list of past preferred teachers. However, from what I’ve gather from talking to the teachers who are still at the school (turn over is exceptionally high), none of the teachers really did anything close to what should be covered in art history or art appreciation. The later teachers seem to have been worn down by the students to the point of letting them come up with their own projects with minimal oversight. And, I can see why!
I told the students I wanted simple notes taken (and attached to their packet) or that they could highlight the text of the xerox packet. Many said they didn’t understand what that meant. I explained that in college you’re going to be tasked with having to read chapters in a book. Your responsibility is to read it and a) take notes via pen/notebook or laptop or b) highlight what you believe to be relevant portions of the text. I deliberately left it open-ended since I didn’t want to walk them through it because the students will lazily not do the reading and wait for my before-the-test study guide.
Sadly, upon reviewing their packets—I told them they would receive a grade for their highlight/note-taking—I determined many of them were either not reading it but simply highlight pieces of the text at random, or they were reading it and not pulling out what they should have been. So, I spoke to my principal and vice-principal to seek their advice. In the end, they agreed with me that I should ditch giving them a formal study guide and re-read the article during class periodically stopping to ask them for feedback and what was salient about the short passage we just read together. That would serve as their study guide.
Well, the students in my first two classes weren’t having it. First period did poor with frequent interruptions and complaints and third period did even worse. I had to ask the VP to come down to remove two students. By the time she got there, other students had basically becoming just as talkative. I pulled her outside and we conferred. In the end, she recommended that they be held accountable for their behavior and told their notes would have to suffice and the test they were to be given on this material would take place as originally planned instead of two days later to accommodate the re-reading of the packet. The next period did better with only a couple of students periodically having side conversations.
In the final analysis, though, I know most of these students will fail this test. Not because the information wasn’t available to them, but because they don’t care and see it as being irrelevant to their life. One girl told me she just didn’t care because it wasn’t important to her; she wants to be a doctor and art is not relevant to her career. I tried to explain that in college (she’s in 11th grade), she’s going to have to read many things which she is going to feel the same way about. Just because you think you’re going to med school doesn’t mean everything is a) going to be medically-related, b) going to be interesting and c) going to be easy. These kids—even the seniors—seem very naive and I just don’t know how to break through to them.
Does anyone have any thoughts on how to handle some of the art history lessons I’ve got coming up? I know the students think that if they complain and cause enough problems I’ll just throw in the towel and only do hands-on projects. But, I refuse to do that.
Please send me your suggestions and comments.
Experiencing the Fullness of Time
Distortions in the shape of our time foster distortions in the shape of our lives and the quality of all of our relationships. Indeed, these distortions drive us into the arms of a false theology: we come to believe that we, not God, are the masters of time. We come to believe that our worth must be proved by the way we spend our hours and that our ultimate safety depends on our own good management.
The above quote is from the book Receiving the Day by Dorothy C. Bass. I came to this book after hearing an interview on Mars Hill Audio between Ken Myers and the author. It was quite providential that I came upon this specific interview because time-management usually is an issue for me. Part of it is my commitment to what I’m doing at the time. Of course, part of it is also just me OCD’ing and not letting “good enough” stand on its own merit. Nevertheless, this book continues to be quite a challenging read. Perhaps convicting would be a better word because I’m seeing the depth of this issue; how much it touches all areas of my life to one extent or another.


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